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Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering? Subjects-Computers&Internet-Programming-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Science-Technology-General&Reference Introduction to Computer Graphics (Graphics Series) Charles River Media? Hans-Joachim Bungartz? Michael Griebel? Christoph Zenger? CharlesRiverMedia? Hans-JoachimBungartz? MichaelGriebel? ChristophZenger? ジャンル別? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-Programming-General? Subjects-Computers&Internet-Programming-Graphics&Multimedia-General? Subjects-Computers&Internet-Programming-GameProgramming? Subjects-Computers&Internet-Games&StrategyGuides-Programming? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference Ottmar Mergenthaler The Man and His Machine A Biographical Appreciation of the Inventor on His Centennial Oak Knoll Pr? Basil Charles Kahan? Basil Bahan? OakKnollPr? BasilCharlesKahan? BasilBahan? ジャンル別? Subjects-Arts&Photography-GraphicDesign-Typography? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-General? Subjects-Biographies&Memoirs-Historical-UnitedStates-General? Subjects-Biographies&Memoirs-Professionals&Academics-Business? Subjects-Business&Investing-Biographies&Primers-CaptainsofIndustry? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Nonfiction-CurrentEvents-MassMedia-Newspaper? Subjects-Reference-Writing-Journalism? Subjects-Science-History&Philosophy-HistoryofTechnology? 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Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Large Deviations and Idempotent Probability (Chapman and Hall /Crc Monographs and Surveys in Pure and Applied Mathematics) Crc Pr I Llc? Anatolii Puhalskii? CrcPrILlc? AnatoliiPuhalskii? ジャンル別? ユーズドブック(洋書)-Medicine? Subjects-Medicine-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Reference? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-General? Diagnostic Checks in Time Series (Monographs on Statistics and Applied Probability) Chapman & Hall? Wai Keung Li? Chapman&Hall? 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Water Wastewater Treatment A Guide for the Nonengineering Professional Technomic Pub Co? Joanne E. Drinan? Nancy E. Whiting? TechnomicPubCo? JoanneE.Drinan? NancyE.Whiting? ジャンル別? ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Civil-Hydrology? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-Recycling? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? 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【Tags IA Shizennoteki-P tC C】 Original Music title チルドレンレコード English music title Children Record Romaji music title Chirudoren Rekoodo Music Lyrics written, Voice edited by じん(Jin) / 自然の敵P(Shizen noteki-P) Music arranged by by じん(Jin) / 自然の敵P(Shizen noteki-P) Singer IA Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： With white earphones in my ears, I give the signal with a little grin The moment I knocked on the door, the heat permeating me floods out... "You still don t see?" A staring contest with strained eyes When I faltered then, the chord rang out "Now s the time, take it back!", as if from inside my mind... The world so lovable yet harsh, there were some who loathed it, With their cruelly irrational "system"; If I approve, then the future won t exist... Boys and girls, face forwards, finding hope in even the unbearable heat "Bring it back!" "Bring it back!" The crescent moon rises in red flames... Now, come, write the code in 0 s; Head to the world outside the imaginary, to the overstated warfront of fantasy... "Go on ahead," you stick out your tongue, simple eyes feigning cockiness With their password, "Hey, it s my turn," the awoken, restless child won t stop The night s getting dark; for the "children," they re brightly-burning extra innings Adversity is the cool thing, isn t it? Can t sleep, not yet; come, hurry, hurry!! In-tempo, we meet our gazes, and when the beat resounds with a high touch, Isn t it too late to think about it? Come on, just get with us! With one chord, we meet our gazes, and when you re wrapped in the bouncing groove, You should see it s not a joke, between the gaps of the high-end scenery... So what do you think of this heat, and our values that just so happen to meet? "Not so bad, is it?" When we open our eyes, and clasp our hands... Even these surprisingly cheap words, we dispute them as "passwords." And I face forward just a little... Boys and girls, face forwards, finding hope in only the shimmering heat Recall, and bring to words, your miraculous encounters and farewells... "You know, about that wild world; I laughed it off as being just too harsh..." So ends the signal... Boys and girls, face forwards! Find hope in only the dizzying heat! "Take it in hand!" "Take it in hand!" The blazing sun rises in red flames... Now, come, it s the call. Let s make this the end; the best plan of action has opened your eyes From the overstated warfront of daydream, to beyond a mobius strip of emotion... Romaji lyrics (transliterated by vgboy / vgperson)： Shiroi iyahon o mimi ni ate sukoshi niya tto shite aizu suru Shimikonda kono ondo ga doa o nokku shita shunkan ni afuresou ni naru yo "Mada mienai?" Me o korashite nozomu soudatsusen Ano hi choucho shita nouri kara "Ima da, torimodose" to koodo ga naridashisou Itoshikute, tsurakute, sekai o kiratta hito no Hidoku rifujin na "kousei" Koutei shiteicha mirai wa umidasenai Shounen shoujo mae o muku kureru enten sae kibouron datte "Tsuremodose" "Tsuremodose" Mikadzuki ga akaku moeagaru Saa saa, koodo o zero de kizame Souzouryoku no sotogawa no sekai e oobaa na kuusou sensen e "O-saki ni douzo" tte shita o dasu yoyuu butta mujaki na me "Hora deban da" pasuwaado de me o semashita jajauma wa tomaranai Mou yoru ga fukaku naru "okosama" nara moeru enchousen Gyakkyou guai ga kuuru daro? Nemurenai ne madamada hora hayaku! Hayaku!! In-tenpo de shisen o awasete hai tacchi de biito ga naridaseba Kangaetecha osoi deshou? Hora nokkattekou ze Wan koodo de shisen o awasete buttonda guruuvu ga uzumakeba Joudan janai mieru hazu sono hai-endo no fuukei no sukima ni Saa dou dai, kono atsusa mo surechigaisou datta kachikan mo "Warukunai kana" me o hiraki, te o toriattara Angai chiipu na kotoba mo "aikotoba da" tte iiaeru. Sukoshi dake mae o mukeru Shounen shoujo, mae o muku yureru enten sura kibouron datte Omoidashi, kuchi ni dasu fukashigi na deai to wakare o "Nee nee, toppi na sekai no koto sanzan datte waraitobasetanda" Aizu ga owaru Shounen shoujo, mae o muke kuramu enten sura kibouron datte "Tsukamitore" "Tsukamitore" to taiyou ga akaku moeagaru Saa saa, kooru da. Saigo ni shiyou saizen-saku wa sono me o mihiraita Oobaa na mousou sensen kanjou-sei no mebiusu no saki e [Shizennoteki-P, ShizennotekiP, Shizen-no-teki-P, Jin]
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ACTE TROISIÈME （Une vaste salle de verdure du palais de Didon à Carthage. Sur l'un des côtés s'élève un trône entouré des trophées de l'agriculture, du commerce, et des arts; sur l'autre côté et au fond un amphithéâtre en gradins, sur lequel une innombrable multitude est assise, au lever du rideau.） N° 17 – Chœur ▼CHŒUR▲ （d'une partie du peuple carthaginois） De Carthage les cieux semblent bénir la fête! Vit-on jamais un jour pareil Après si terrible tempête? Quel doux zéphyr! notre brûlant soleil De ses rayons calme la violence; A son aspect la plaine immense Tressaille de joie; il s'avance Illuminant le sourire vermeil De la nature à son réveil. N° 18 – Chant national （Entre Didon avec sa suite. A son entrée, tout le peuple assis sur les gradins de l'amphithéâtre se lève en agitant des voiles de diverses couleurs, des palmes, des fleurs. Didon va s'asseoir sur son trône ayant sa sœur à sa droite et Narbal à sa gauche ; quelques soldats les entourent.） ▼CHŒUR GENERAL▲ Gloire à Didon, notre reine chérie! Reine par la beauté, la grâce, le génie, Reine par la faveur des dieux, Et reine par l'amour de ses sujets heureux! （Le peuple agite des palmes et jette des fleurs） N° 19 – Récitatif et air ▼DIDON▲ （debout, du haut de son trône） Nous avons vu finir sept ans à peine, Depuis le jour où, pour tromper la haine Du tyran meurtrier de mon auguste époux, J'ai dû fuir avec vous, De Tyr à la rive africaine. Et déjà nous voyons Carthage s'élever, Ses campagnes fleurir, sa flotte s'achever! Déjà des bords lointains où s'éveille l'aurore Vous rapportez, laboureurs de la mer, Le blé, le vin et la laine et le fer, Et les produits des arts qui nous manquent encore. Chers Tyriens, tant de nobles travaux Ont enivré mon cœur d'un orgueil légitime! Mais ne vous lassez pas, suivez la voix sublime Du Dieu qui vous appelle à des efforts nouveaux! Donnez encore un exemple à la terre; Grands dans la paix, devenez dans la guerre Un peuple de héros. ▼LE PEUPLE▲ Grands dans la paix, devenons dans la guerre Un peuple de héros. ▼DIDON▲ Le farouche Iarbas veut m'imposer la chaîne D'un hymen odieux; Son insolence est vaine. ▼LE PEUPLE▲ Son insolence est vaine. ▼DIDON▲ Le soin de ma défense est à vous comme aux dieux. ▼LE PEUPLE▲ Gloire à Didon, notre reine chérie! Chacun de nous est prêt à lui donner sa vie! Tous nous la défendrons. Nous bravons d'Iarbas l'insolence et la rage, Et nous repousserons Jusqu'au fond des déserts ce Numide sauvage! ▼DIDON▲ Chers Tyriens! oui, vos nobles travaux Ont enivré mon cœur d'un orgueil légitime! Soyez heureux et fiers! Suivez la voix sublime Du Dieu qui vous appelle à des efforts nouveaux! ▼LE PEUPLE▲ Tous nous la défendrons. Soyons heureux et fiers, suivons la voix sublime Du dieu qui nous appelle à des efforts nouveaux. ▼DIDON▲ Cette belle journée Qui dans vos souvenirs doit rester à jamais, A couronner les œuvres de la paix Fut par moi destinée. Approchez, constructeurs, Matelots, laboureurs; Recevez de ma main la juste récompense Due au travail qui donne la puissance Et la vie aux États. N° 20 – Entrée des constructeurs （Les constructeurs en cortège s'avancent vers le trône. Didon donne à leur chef une équerre d'argent et une hache. Le cortège retourne au fond du théâtre.） N° 21 – Entrée des matelots （Les matelots en cortège s'avancent vers le trône. Didon donne à leur chef un gouvernail et un aviron. Le cortège retourne au fond du théâtre.） N° 22 – Entrée des laboureurs （Le cortège des laboureurs, plus nombreux que les deux précédents, s'avance lentement vers le trône; un vieillard robuste le conduit.） N° 23 – Récitatif et chœur （Didon donne au vieillard chef des laboureurs une faucille d'or, puis, tenant à la main une couronne de fleurs et d'épis, elle s'écrie.） ▼DIDON▲ Peuple! tous les honneurs Pour le plus grand des arts, l'art qui nourrit les hommes! ▼LE PEUPLE▲ Vivent les laboureurs! nous sommes Leurs fils reconnaissants ; ils nous donnent le pain! ▼DIDON▲ （à part） Ô Cérès! l'avenir de Carthage est certain! ▼CHŒUR GENERAL▲ Gloire à Didon, notre reine chérie! Chacun de nous est prêt à lui donner sa vie. Prouvons-lui notre amour par des gages nouveaux. Colons, marins, formons un peuple de héros! Gloire à Didon, notre reine chérie! Reine par la beauté, la grâce, le génie! Reine par la faveur des dieux, Et reine par l'amour de ses sujets heureux. （Le peuple, conduit par Narbal, défile en cortège devant le trône de Didon et sort.） N° 24 – Récitatif et duo ▼DIDON▲ Les chants joyeux, l'aspect de cette noble fête, Ont fait rentrer la paix en mon cœur agité. Je respire, ma sœur, oui, ma joie est parfaite, Je retrouve le calme et la sérénité. ▼ANNA▲ Reine d'un jeune empire Qui chaque jour s'élève florissant Reine adorée et que le monde admire, Quelle crainte avait pu vous troubler un instant? ▼DIDON▲ Une étrange tristesse, Sans causes, tu le sais, vient parfois m'accabler. Mes efforts restent vains contre cette faiblesse, Je sens transir mon sein qu'un ennui vague oppresse, Et mon visage en feu sous mes larmes brûler… ▼ANNA▲ （souriant） Vous aimerez, ma sœur… ▼DIDON▲ Non, toute ardeur nouvelle Est interdite à mon cœur sans retour. ▼ANNA▲ Vous aimerez, ma sœur… ▼DIDON▲ Non, la veuve fidèle Doit éteindre son âme et détester l'amour. ▼ANNA▲ Didon, vous êtes reine, et trop jeune, et trop belle, Pour ne plus obéir à cette douce loi; Carthage veut un roi. ▼DIDON▲ （montrant à son doigt l'anneau de Sichée） Puissent mon peuple et les dieux me maudire, Si je quittais jamais cet anneau consacré! ▼ANNA▲ Un tel serment fait naître le sourire De la belle Vénus; sur le livre sacré Les dieux refusent de l'inscrire. ▼DIDON▲ Sa voix fait naître dans mon sein La dangereuse ivresse; Déjà dans ma faiblesse Contre un espoir confus je me débats en vain. ▼ANNA▲ Ma voix fait naître dans son sein Des rêves de tendresse; Déjà dans sa faiblesse, Au doux espoir d'aimer elle résiste en vain. ▼DIDON▲ Sichée! Ô mon époux, pardonne A cet instant d'involontaire erreur, Et que ton souvenir chasse loin de mon cœur Ce trouble qui l'étonne. ▼ANNA▲ Didon, ma tendre sœur, pardonne Si je dissipe une trop chère erreur, Pardonne si ma voix excite dans ton cœur Ce trouble qui l'étonne. N° 25 – Récitatif et air ▼IOPAS▲ Échappés à grand peine, à la mer en fureur, Reine, les députés d'une flotte inconnue D'être admis devant vous implorent la faveur. ▼DIDON▲ La porte du palais n'est jamais défendue A de tels suppliants. （Sur un signe de la reine, Iopas sort） Errante sur les mers, Ne fus-je pas aussi, de rivage en rivage, Emportée au sein de l'orage Jouet des flots amers! Hélas, des coups du sort je sais la violence Sur ceux qu'il frappe. Au malheur compatir Est facile pour nous. Qui connut la souffrance Ne pourrait voir en vain souffrir. N° 26 – Marche troyenne dans le mode triste ▼DIDON▲ （à part） J'éprouve une soudaine et vive impatience De les voir, et je crains en secret leur présence. （Elle monte sur son trône. Entrent Énée sous un déguisement de matelot, Panthée, Ascagne, et les chefs troyens portant des présents.） N° 27 – Récitatif ▼ASCAGNE▲ （s'inclinant devant la reine） Auguste reine, un peuple errant et malheureux Pour quelques jours vous demande un asile. Je dépose à vos pieds les présents précieux, Débris de sa grandeur, que, par ma main débile Au nom de Jupiter, vous offre un chef pieux. ▼DIDON▲ De ce chef, bel enfant, dis-moi le nom, la race? ▼ASCAGNE▲ Ô reine, sur nos pas une sanglante trace Des monts de la Phrygie a marqué les chemins Jusqu'à la mer. Ce sceptre d'Ilione, （Il offre un à un les présents） Fille du roi Priam, d'Hécube la couronne, Et ce voile léger d'Hélène où l'or rayonne, Doivent vous dire assez que nous sommes Troyens. ▼DIDON▲ Troyens! ▼ASCAGNE▲ Notre chef est Énée, Je suis son fils. ▼DIDON▲ Étrange destinée! ▼PANTHÉE▲ （s'avançant） Obéissant au souverain des dieux Ce héros cherche l'Italie, Où le sort lui promet un trépas glorieux Et le bonheur de rendre aux siens une patrie. ▼DIDON▲ Qui n'admire ce prince, ami du grand Hector? Qui de son nom fameux n'est ignorant encor? Carthage en est remplie. Dites-lui que mon port ouvert à ses vaisseaux L'attend. Qu'il vienne, qu'il oublie Avec vous à ma cour ses pénibles travaux. N° 28 – Final ▼NARBAL▲ （entrant avec agitation） J'ose à peine annoncer la terrible nouvelle! ▼DIDON▲ Qu'arrive-t-il? ▼NARBAL▲ Le Numide rebelle, Le féroce Iarbas Avec d'innombrables soldats S'avance vers Carthage. ▼CARTHAGINOIS▲ （au loin） Des armes! des armes! ▼NARBAL▲ Et la troupe sauvage Égorge nos troupeaux Et dévaste nos champs. Mais des malheurs nouveaux Menacent la ville elle-même A nos jeunes guerriers dont l'ardeur est extrême Les armes vont manquer. ▼DIDON▲ Que dites-vous, Narbal? ▼NARBAL▲ Que nous allons tenter un combat inégal. ▼CARTHAGINOIS▲ Des armes! des armes! ▼ÉNÉE▲ （s'avançant, après avoir laissé tomber son déguisement de matelot. Il porte un brillant costume et la cuirasse, mais sans casque ni bouclier.） Reine, je suis Énée! Ma flotte sur vos bords par les vents entraînée A de rudes travaux fut par moi destinée; Permettez aux Troyens de combattre avec vous! ▼DIDON▲ J'accepte avec orgueil une telle alliance! Énée armé pour ma défense! Les dieux se déclarent pour nous. （à part, à Anna） Ô ma sœur, qu'il est fier, ce fils de la déesse, Et qu'on voit sur son front de grâce et de noblesse! ▼ÉNÉE▲ Sur cette horde immonde d'Africains, Marchons Troyens et Tyriens, Volons à la victoire ensemble! Comme le sable emporté par les vents Chassons dans ses déserts brûlants Le Numide éperdu; qu'il tremble. ▼ÉNÉE, PANTHÉE, NARBAL, IOPAS, ASCAGNE, DIDON, ANNA, LES CHEFS TROYENS▲ C'est le dieu Mars qui vous (nous) rassemble C'est le fils de Vénus qui vous (nous) guide aux combats! Exterminez (exterminons) la noire armée, Et que demain la renommée Proclame au loin la honte et la mort d'Iarbas! （Pendant la fin de ce morceau, on apporte ses armes à Énée. Il met rapidement son casque, passe à son bras son vaste bouclier et saisit ses javelots.） ▼ÉNÉE▲ （à Panthée） Annonce à nos Troyens l'entreprise nouvelle Où la gloire les appelle. （Panthée sort） Reine, bientôt du barbare odieux Vous serez délivrée. A vos soins généreux J'abandonne mon fils. ▼DIDON▲ De mon amour de mère Pour lui ne doutez pas. ▼ÉNÉE▲ （à Ascagne） Viens embrasser ton père. （Il l'embrasse en le couvrant tout entier de ses armes. Ascagne pleure sans répondre.） D'autres t'enseigneront, enfant, l'art d'être heureux; Je ne t'apprendrai, moi, que la vertu guerrière Et le respect des dieux; Mais révère en ton cœur et garde en ta mémoire Et d'Énée et d'Hector les exemples de gloire. （Le peuple de Carthage accourt de toutes parts demandant des armes. Quelques hommes seulement sont armés régulièrement, les autres portent des faux, des haches, des frondes. Panthée rentre en scène. Ascagne essuie tout à coup ses larmes et s'élance à côté des chefs troyens.） ▼ENSEMBLE▲ Des armes! des armes! Sur cette horde immonde d'Africains, Marchez (marchons) Troyens et Tyriens Volez (volons) à la victoire ensemble! Comme le sable emporté par les vents Chassez (chassons) dans ses déserts brûlants Le Numide éperdu! qu'il tremble! C'est le Dieu Mars qui vous (nous) rassemble C'est le fils de Vénus qui vous (nous) guide aux combats! Exterminez (exterminons) la noire armée Et que demain la renommée Proclame au loin la honte et la mort d'Iarbas Aux armes! Aux armes! ACTE TROISIÈME Une vaste salle de verdure du palais de Didon à Carthage. Sur l'un des côtés s'élève un trône entouré des trophées de l'agriculture, du commerce, et des arts; sur l'autre côté et au fond un amphithéâtre en gradins, sur lequel une innombrable multitude est assise, au lever du rideau. N° 17 – Chœur CHŒUR d'une partie du peuple carthaginois De Carthage les cieux semblent bénir la fête! Vit-on jamais un jour pareil Après si terrible tempête? Quel doux zéphyr! notre brûlant soleil De ses rayons calme la violence; A son aspect la plaine immense Tressaille de joie; il s'avance Illuminant le sourire vermeil De la nature à son réveil. N° 18 – Chant national Entre Didon avec sa suite. A son entrée, tout le peuple assis sur les gradins de l'amphithéâtre se lève en agitant des voiles de diverses couleurs, des palmes, des fleurs. Didon va s'asseoir sur son trône ayant sa sœur à sa droite et Narbal à sa gauche ; quelques soldats les entourent. CHŒUR GENERAL Gloire à Didon, notre reine chérie! Reine par la beauté, la grâce, le génie, Reine par la faveur des dieux, Et reine par l'amour de ses sujets heureux! Le peuple agite des palmes et jette des fleurs N° 19 – Récitatif et air DIDON debout, du haut de son trône Nous avons vu finir sept ans à peine, Depuis le jour où, pour tromper la haine Du tyran meurtrier de mon auguste époux, J'ai dû fuir avec vous, De Tyr à la rive africaine. Et déjà nous voyons Carthage s'élever, Ses campagnes fleurir, sa flotte s'achever! Déjà des bords lointains où s'éveille l'aurore Vous rapportez, laboureurs de la mer, Le blé, le vin et la laine et le fer, Et les produits des arts qui nous manquent encore. Chers Tyriens, tant de nobles travaux Ont enivré mon cœur d'un orgueil légitime! Mais ne vous lassez pas, suivez la voix sublime Du Dieu qui vous appelle à des efforts nouveaux! Donnez encore un exemple à la terre; Grands dans la paix, devenez dans la guerre Un peuple de héros. LE PEUPLE Grands dans la paix, devenons dans la guerre Un peuple de héros. DIDON Le farouche Iarbas veut m'imposer la chaîne D'un hymen odieux; Son insolence est vaine. LE PEUPLE Son insolence est vaine. DIDON Le soin de ma défense est à vous comme aux dieux. LE PEUPLE Gloire à Didon, notre reine chérie! Chacun de nous est prêt à lui donner sa vie! Tous nous la défendrons. Nous bravons d'Iarbas l'insolence et la rage, Et nous repousserons Jusqu'au fond des déserts ce Numide sauvage! DIDON Chers Tyriens! oui, vos nobles travaux Ont enivré mon cœur d'un orgueil légitime! Soyez heureux et fiers! Suivez la voix sublime Du Dieu qui vous appelle à des efforts nouveaux! LE PEUPLE Tous nous la défendrons. Soyons heureux et fiers, suivons la voix sublime Du dieu qui nous appelle à des efforts nouveaux. DIDON Cette belle journée Qui dans vos souvenirs doit rester à jamais, A couronner les œuvres de la paix Fut par moi destinée. Approchez, constructeurs, Matelots, laboureurs; Recevez de ma main la juste récompense Due au travail qui donne la puissance Et la vie aux États. N° 20 – Entrée des constructeurs Les constructeurs en cortège s'avancent vers le trône. Didon donne à leur chef une équerre d'argent et une hache. Le cortège retourne au fond du théâtre. N° 21 – Entrée des matelots Les matelots en cortège s'avancent vers le trône. Didon donne à leur chef un gouvernail et un aviron. Le cortège retourne au fond du théâtre. N° 22 – Entrée des laboureurs Le cortège des laboureurs, plus nombreux que les deux précédents, s'avance lentement vers le trône; un vieillard robuste le conduit. N° 23 – Récitatif et chœur Didon donne au vieillard chef des laboureurs une faucille d'or, puis, tenant à la main une couronne de fleurs et d'épis, elle s'écrie. DIDON Peuple! tous les honneurs Pour le plus grand des arts, l'art qui nourrit les hommes! LE PEUPLE Vivent les laboureurs! nous sommes Leurs fils reconnaissants ; ils nous donnent le pain! DIDON à part Ô Cérès! l'avenir de Carthage est certain! CHŒUR GENERAL Gloire à Didon, notre reine chérie! Chacun de nous est prêt à lui donner sa vie. Prouvons-lui notre amour par des gages nouveaux. Colons, marins, formons un peuple de héros! Gloire à Didon, notre reine chérie! Reine par la beauté, la grâce, le génie! Reine par la faveur des dieux, Et reine par l'amour de ses sujets heureux. Le peuple, conduit par Narbal, défile en cortège devant le trône de Didon et sort. N° 24 – Récitatif et duo DIDON Les chants joyeux, l'aspect de cette noble fête, Ont fait rentrer la paix en mon cœur agité. Je respire, ma sœur, oui, ma joie est parfaite, Je retrouve le calme et la sérénité. ANNA Reine d'un jeune empire Qui chaque jour s'élève florissant Reine adorée et que le monde admire, Quelle crainte avait pu vous troubler un instant? DIDON Une étrange tristesse, Sans causes, tu le sais, vient parfois m'accabler. Mes efforts restent vains contre cette faiblesse, Je sens transir mon sein qu'un ennui vague oppresse, Et mon visage en feu sous mes larmes brûler… ANNA souriant Vous aimerez, ma sœur… DIDON Non, toute ardeur nouvelle Est interdite à mon cœur sans retour. ANNA Vous aimerez, ma sœur… DIDON Non, la veuve fidèle Doit éteindre son âme et détester l'amour. ANNA Didon, vous êtes reine, et trop jeune, et trop belle, Pour ne plus obéir à cette douce loi; Carthage veut un roi. DIDON montrant à son doigt l'anneau de Sichée Puissent mon peuple et les dieux me maudire, Si je quittais jamais cet anneau consacré! ANNA Un tel serment fait naître le sourire De la belle Vénus; sur le livre sacré Les dieux refusent de l'inscrire. DIDON Sa voix fait naître dans mon sein La dangereuse ivresse; Déjà dans ma faiblesse Contre un espoir confus je me débats en vain. ANNA Ma voix fait naître dans son sein Des rêves de tendresse; Déjà dans sa faiblesse, Au doux espoir d'aimer elle résiste en vain. DIDON Sichée! Ô mon époux, pardonne A cet instant d'involontaire erreur, Et que ton souvenir chasse loin de mon cœur Ce trouble qui l'étonne. ANNA Didon, ma tendre sœur, pardonne Si je dissipe une trop chère erreur, Pardonne si ma voix excite dans ton cœur Ce trouble qui l'étonne. N° 25 – Récitatif et air IOPAS Échappés à grand peine, à la mer en fureur, Reine, les députés d'une flotte inconnue D'être admis devant vous implorent la faveur. DIDON La porte du palais n'est jamais défendue A de tels suppliants. Sur un signe de la reine, Iopas sort Errante sur les mers, Ne fus-je pas aussi, de rivage en rivage, Emportée au sein de l'orage Jouet des flots amers! Hélas, des coups du sort je sais la violence Sur ceux qu'il frappe. Au malheur compatir Est facile pour nous. Qui connut la souffrance Ne pourrait voir en vain souffrir. N° 26 – Marche troyenne dans le mode triste DIDON à part J'éprouve une soudaine et vive impatience De les voir, et je crains en secret leur présence. Elle monte sur son trône. Entrent Énée sous un déguisement de matelot, Panthée, Ascagne, et les chefs troyens portant des présents. N° 27 – Récitatif ASCAGNE s'inclinant devant la reine Auguste reine, un peuple errant et malheureux Pour quelques jours vous demande un asile. Je dépose à vos pieds les présents précieux, Débris de sa grandeur, que, par ma main débile Au nom de Jupiter, vous offre un chef pieux. DIDON De ce chef, bel enfant, dis-moi le nom, la race? ASCAGNE Ô reine, sur nos pas une sanglante trace Des monts de la Phrygie a marqué les chemins Jusqu'à la mer. Ce sceptre d'Ilione, Il offre un à un les présents Fille du roi Priam, d'Hécube la couronne, Et ce voile léger d'Hélène où l'or rayonne, Doivent vous dire assez que nous sommes Troyens. DIDON Troyens! ASCAGNE Notre chef est Énée, Je suis son fils. DIDON Étrange destinée! PANTHÉE s'avançant Obéissant au souverain des dieux Ce héros cherche l'Italie, Où le sort lui promet un trépas glorieux Et le bonheur de rendre aux siens une patrie. DIDON Qui n'admire ce prince, ami du grand Hector? Qui de son nom fameux n'est ignorant encor? Carthage en est remplie. Dites-lui que mon port ouvert à ses vaisseaux L'attend. Qu'il vienne, qu'il oublie Avec vous à ma cour ses pénibles travaux. N° 28 – Final NARBAL entrant avec agitation J'ose à peine annoncer la terrible nouvelle! DIDON Qu'arrive-t-il? NARBAL Le Numide rebelle, Le féroce Iarbas Avec d'innombrables soldats S'avance vers Carthage. CARTHAGINOIS au loin Des armes! des armes! NARBAL Et la troupe sauvage Égorge nos troupeaux Et dévaste nos champs. Mais des malheurs nouveaux Menacent la ville elle-même A nos jeunes guerriers dont l'ardeur est extrême Les armes vont manquer. DIDON Que dites-vous, Narbal? NARBAL Que nous allons tenter un combat inégal. CARTHAGINOIS Des armes! des armes! ÉNÉE s'avançant, après avoir laissé tomber son déguisement de matelot. Il porte un brillant costume et la cuirasse, mais sans casque ni bouclier. Reine, je suis Énée! Ma flotte sur vos bords par les vents entraînée A de rudes travaux fut par moi destinée; Permettez aux Troyens de combattre avec vous! DIDON J'accepte avec orgueil une telle alliance! Énée armé pour ma défense! Les dieux se déclarent pour nous. à part, à Anna Ô ma sœur, qu'il est fier, ce fils de la déesse, Et qu'on voit sur son front de grâce et de noblesse! ÉNÉE Sur cette horde immonde d'Africains, Marchons Troyens et Tyriens, Volons à la victoire ensemble! Comme le sable emporté par les vents Chassons dans ses déserts brûlants Le Numide éperdu; qu'il tremble. ÉNÉE, PANTHÉE, NARBAL, IOPAS, ASCAGNE, DIDON, ANNA, LES CHEFS TROYENS C'est le dieu Mars qui vous (nous) rassemble C'est le fils de Vénus qui vous (nous) guide aux combats! Exterminez (exterminons) la noire armée, Et que demain la renommée Proclame au loin la honte et la mort d'Iarbas! Pendant la fin de ce morceau, on apporte ses armes à Énée. Il met rapidement son casque, passe à son bras son vaste bouclier et saisit ses javelots. ÉNÉE à Panthée Annonce à nos Troyens l'entreprise nouvelle Où la gloire les appelle. Panthée sort Reine, bientôt du barbare odieux Vous serez délivrée. A vos soins généreux J'abandonne mon fils. DIDON De mon amour de mère Pour lui ne doutez pas. ÉNÉE à Ascagne Viens embrasser ton père. Il l'embrasse en le couvrant tout entier de ses armes. Ascagne pleure sans répondre. D'autres t'enseigneront, enfant, l'art d'être heureux; Je ne t'apprendrai, moi, que la vertu guerrière Et le respect des dieux; Mais révère en ton cœur et garde en ta mémoire Et d'Énée et d'Hector les exemples de gloire. Le peuple de Carthage accourt de toutes parts demandant des armes. Quelques hommes seulement sont armés régulièrement, les autres portent des faux, des haches, des frondes. Panthée rentre en scène. Ascagne essuie tout à coup ses larmes et s'élance à côté des chefs troyens. ENSEMBLE Des armes! des armes! Sur cette horde immonde d'Africains, Marchez (marchons) Troyens et Tyriens Volez (volons) à la victoire ensemble! Comme le sable emporté par les vents Chassez (chassons) dans ses déserts brûlants Le Numide éperdu! qu'il tremble! C'est le Dieu Mars qui vous (nous) rassemble C'est le fils de Vénus qui vous (nous) guide aux combats! Exterminez (exterminons) la noire armée Et que demain la renommée Proclame au loin la honte et la mort d'Iarbas Aux armes! Aux armes! Berlioz,Hector/Les Troyens/IV
https://w.atwiki.jp/csdejp/pages/36.html
?xml version="1.0" encoding="windows-1251" ? string_table string id="st_upg_zatvor_rpm" text Modifikation Bolzenmechanismus /text /string string id="st_upg_zatvor_rpm_descr" text Eine technische Modifizierung des Bolzenmechanismus ermlicht eine here Feuerrate. /text /string string id="st_upg_zatvor_recoil" text Modifikation Bolzenmechanismus /text /string string id="st_upg_zatvor_recoil_descr" text Feineinstellung des Bolzenmechanismus steigert die Pr艘ision der Waffe. /text /string string id="st_upg_porsh_rpm" text Modifikation Bedienungsstange /text /string string id="st_upg_porsh_rpm_descr" text Die Reduzierung des Gewichtes der Bedienungsstange senkt den R・kstoﾟ auf Kosten der Feuerrate. /text /string string id="st_upg_porsh_recoil" text Modifikation Bedienungsstange /text /string string id="st_upg_porsh_recoil_descr" text Die Anbringung eines Bedienungsstangend舂pfers senkt den R・kstoﾟ. /text /string string id="st_upg_barrel_weight" text Modifikation Lauf /text /string string id="st_upg_barrel_weight_descr" text Der Standardlauf wird gegen einen leichteren Lauf ausgetauscht. /text /string string id="st_upg_barrel_curved" text Modifikation Lauf /text /string string id="st_upg_barrel_curved_descr" text Ein Aufsatz, der den Lauf verl舅gert und die M・dungsgeschwindigkeit erht. /text /string string id="st_upg_barrel_recoil" text Modifikation Lauf /text /string string id="st_upg_barrel_recoil_descr" text Die Anbringung einer M・dungsbremse senkt erheblich den R・kstoﾟ. /text /string string id="st_upg_barrel_rifled" text Modifikation Lauf /text /string string id="st_upg_barrel_rifled_descr" text Windungen im Lauf steigern die effektive Reichweite der Waffe f・ Kugeln und Pfeilgeschosse. Macht die Waffe unbrauchbar f・ Schrotmunition. /text /string string id="st_upg_butt_recoil" text Wangenauflage /text /string string id="st_upg_butt_recoil_descr" text Eine normale Wangenauflage aus Gummi zur Anpassung der Schaftl舅ge an die Gre des Sch・zen. /text /string string id="st_upg_butt_recoil2" text Polymerschaft /text /string string id="st_upg_butt_recoil2_descr" text Der Austausch des Standardschafts gegen einen Polymerschaft macht die Waffe leichter. /text /string string id="st_upg_butt_recoil3_descr" text Der Standardschaft wird gegen eine Leichtbauversion ausgetauscht. /text /string string id="st_upg_butt_recoil4_descr" text Das spezielle Design des Schaftes senkt den R・kstoﾟ erheblich. /text /string string id="st_upg_auto_rpm" text Verbesserte Mechanismusbalance /text /string string id="st_upg_auto_rpm_descr" text Eine verbesserte Balance der Einzelteile des Mechanismus steigert erheblich die Feuerrate der Waffe. /text /string string id="st_upg_auto_rpm2" text Austauschmechanismus /text /string string id="st_upg_auto_rpm2_descr" text Der Austausch eines halb automatischen Mechanismus gegen einen automatischen Mechanismus steigert erheblich die Feuerrate der Waffe. /text /string string id="st_upg_poly_weight" text Polymerteile /text /string string id="st_upg_poly_weight_descr" text Die Verwendung von Polymerteilen senkt erheblich das Gewicht der Waffe. /text /string string id="st_upg_barrel_rpm" text Laufk・lung /text /string string id="st_upg_barrel_rpm_descr" text Eine Laufk・lung erlaubt die Steigerung der Feuerrate einer Waffe, ohne das Risiko einer Verformung des Laufes. /text /string string id="st_upg_trigger_accur" text Leichter Abzug /text /string string id="st_upg_trigger_accur_descr" text Ein sanfter Abzug steigert die Zielgenauigkeit. /text /string string id="st_upg_charger_assault" text Sturmmagazin /text /string string id="st_upg_charger_assault_descr" text Ein deutlich vergrertes Magazin speziell f・ Angriffsoperationen. /text /string string id="st_upg_charger_big" text Erweitertes Magazin /text /string string id="st_upg_charger_big_descr" text Improvisierte Steigerung der Magazinkapazit舩. /text /string string id="st_upg_charger_small" text Leichtes Magazin /text /string string id="st_upg_charger_small_descr" text Senkt das Gesamtgewicht durch eine Verkleinerung des Magazins. Erleichtert das Zielen. /text /string string id="st_upg_gas_rpm" text Modifikation Gassystem /text /string string id="st_upg_gas_rpm_descr" text Ein modernes Gassystem ermlicht eine here Feuerrate. /text /string string id="st_upg_gravi_accur" text Gravitationsstabilisator /text /string string id="st_upg_gravi_accur_descr" text Verbessert die Zielgenauigkeit durch Stabilisierung der Kugel mittels Gravitationseffekten. /text /string string id="st_upg_electro_accur" text Elektronischer Stabilisator /text /string string id="st_upg_electro_accur_descr" text Korrigiert die Drehung der Kugeln automatisch und erht dadurch erheblich die Zielgenauigkeit. /text /string string id="st_upg_bind_grenade" text Unterlaufhalterung /text /string string id="st_upg_bind_grenade_descr" text Ermlicht die Anbringung eines Unterlauf-Granatwerfers. /text /string string id="st_upg_bind_optic" text Zielfernrohrhalterung /text /string string id="st_upg_bind_optic_descr" text Ermlicht die Anbringung verschiedener optischer Zielfernrohre. /text /string string id="st_upg_bind_silencer" text Schalld舂pferhalterung /text /string string id="st_upg_bind_silencer_descr" text Ermlicht die Anbringung eines Schalld舂pfers. /text /string string id="st_upg_handle_accur" text Verbesserter Handgriff /text /string string id="st_upg_handle_accur_descr" text Qualitativ hochwertiger Gummihandgriff, der die Waffe besser in der Hand liegen l舖st. /text /string string id="st_upg_handle_accur2" text Anatomischer Handgriff /text /string string id="st_upg_handle_accur2_descr" text Speziell angefertigter, maﾟgeschneiderter ergonomischer Handgriff. /text /string string id="st_upg_accel_curved" text Pneumatik-Booster /text /string string id="st_upg_accel_curved_descr" text Die Anbringung eines internen Pneumatik-Boosters steigert die M・dungsgeschwindigkeit. /text /string string id="st_upg_accel_curved2" text Magnet-Booster /text /string string id="st_upg_accel_curved2_descr" text Steigert die Geschwindigkeit der Kugel durch ein magnetisches Wechselfeld. /text /string string id="st_upg_barrel_curved2" text Ganzer Lauf /text /string string id="st_upg_barrel_curved2_descr" text Eine Verbesserung f・ Waffen mit integriertem Schalld舂pfer. Ersetzt die Kombination aus Lauf und Schalld舂pfer durch einen ganzen Lauf. /text /string string id="st_upg_pomp_rpm" text Verbesserter Repetiermechanismus /text /string string id="st_upg_pomp_rpm_descr" text Feineinstellung und manuelle Modifizierung des Nachlademechanismus. /text /string string id="st_upg_head_misfire" text Verbesserter Schlagbolzen /text /string string id="st_upg_head_misfire_descr" text Steigert die Zuverl舖sigkeit einer Waffe und senkt die Wahrscheinlichkeit eines Versagers. /text /string string id="st_upg_mat_wear" text Langlebiges Material /text /string string id="st_upg_mat_wear_descr" text Austausch der Beschichtung zum Schutz vor physischem Schaden durch langlebigeres, verschleiﾟfestes Material. /text /string string id="st_upg_surf_wear" text Schutzbeschichtung /text /string string id="st_upg_surf_wear_descr" text Diamantbeschichtung zum Schutz mechanischer Teile vor Verschleiﾟ. /text /string string id="st_upg_group_kuchn" text Verbesserte Pr艘ision /text /string string id="st_upg_group_kuchn_descr" text Ein M・dungsaufsatz, der die Zielgenauigkeit beim Abfeuern von Schrot verbessert. /text /string string id="st_upg_staple_rpm" text Entfernen des Abzugsb・els /text /string string id="st_upg_staple_rpm_descr" text Eine beliebte und einfache Verbesserung zur Steigerung der Feuerrate einer doppell舫figen Schrotflinte. /text /string string id="st_prop_ammo_size" text Magazin /text /string string id="st_prop_armor" text Panzerung /text /string string id="st_prop_artefact" text Artefaktbeh舁ter /text /string string id="st_prop_bullet_speed" text Flachheit /text /string string id="st_prop_calibre" text Kaliber /text /string string id="st_prop_damage" text Robustheit /text /string string id="st_prop_dispersion" text Genauigkeit /text /string string id="st_prop_durability" text Haltbarkeit /text /string string id="st_prop_grenade_launcher" text Unterlauf-Granatwerfer /text /string string id="st_prop_inertion" text Handhabung /text /string string id="st_prop_night_vision" text Nachtsicht /text /string string id="st_prop_power" text Regenerierung St舐ke /text /string string id="st_prop_psy" text Psi-Schutz /text /string string id="st_prop_radio_chem" text Radiochemischer Schutz /text /string string id="st_prop_recoil" text R・kstoﾟ /text /string string id="st_prop_reliability" text Zuverl舖sigkeit /text /string string id="st_prop_restore_bleeding" text Wundheilung /text /string string id="st_prop_restore_health" text Regenerierung Gesundheit /text /string string id="st_prop_rpm" text Feuerrate /text /string string id="st_prop_scope_1.6x" text Zielfernrohr /text /string string id="st_prop_scope_4x" text Eingebautes Zielfernrohr /text /string string id="st_prop_silencer" text Schalld舂pfer /text /string string id="st_prop_thermo_electro" text Thermoelektrischer Schutz /text /string string id="st_prop_underbarrel_slot" text Unterlaufhalterung /text /string string id="st_prop_weight" text Gewicht /text /string string id="st_tonnage" text Maximalgewicht /text /string string id="st_upg_active_filter_stalk" text Aktive Filter /text /string string id="st_upg_active_filter_stalk_descr" text Ein effektiveres Filtersystem. /text /string string id="st_upg_ammo_sysytem_rpm" text Nachladesystem /text /string string id="st_upg_ammo_sysytem_rpm_descr" text Beschleunigt das Nachladen des Patronenlagers, was zu einer deutlichen Steigerung der Feuerrate f・rt. /text /string string id="st_upg_anti_gas_stalk" text Gasmaske /text /string string id="st_upg_anti_gas_stalk_descr" text Diese Gasmaske dient als Hauptschutz vor radioaktivem Staub und giftigen Chemikalien. /text /string string id="st_upg_antistatic_coating_stalk" text Antistatische Beschichtung /text /string string id="st_upg_antistatic_coating_stalk_descr" text Dieses Spray verhindert, dass sich radioaktiver Staub und Chemikalien auf der Kleidung festsetzen. /text /string string id="st_upg_artefact_slot" text Artefaktbeh舁ter /text /string string id="st_upg_artefact_slot_descr" text Beh舁ter f・ zus舩zliche Artefakte. /text /string string id="st_upg_brigandine_suit_stalk" text ﾖlzeug /text /string string id="st_upg_brigandine_suit_stalk_descr" text Bietet guten Schutz vor Feuer und Elektrizit舩. /text /string string id="st_upg_butt_recoil3" text Leichter Schaft. /text /string string id="st_upg_butt_recoil4" text Pneumatischer Schaft. /text /string string id="st_upg_calibre_5_45" text 5.45x39-mm-Kaliber /text /string string id="st_upg_calibre_5_45_descr" text Der Lauf wird ersetzt und Teile der Waffe werden an das neue Kaliber angepasst. Dieser Austausch kann nur einmalig erfolgen. /text /string string id="st_upg_calibre_5_56" text 5.56x45-mm-Kaliber /text /string string id="st_upg_calibre_5_56_descr" text Der Lauf wird ersetzt und Teile der Waffe werden an das neue Kaliber angepasst. Dieser Austausch kann nur einmalig erfolgen. /text /string string id="st_upg_calibre_9_18" text 9x18-mm-Kaliber /text /string string id="st_upg_calibre_9_18_descr" text Der Lauf wird ersetzt und Teile der Waffe werden an das neue Kaliber angepasst. Dieser Austausch kann nur einmalig erfolgen. /text /string string id="st_upg_calibre_9_19" text 9x19-mm-Kaliber /text /string string id="st_upg_calibre_9_19_descr" text Der Lauf wird ersetzt und Teile der Waffe werden an das neue Kaliber angepasst. Dieser Austausch kann nur einmalig erfolgen. /text /string string id="st_upg_cevlar_body_armor_battle" text Kevlar-Kperschutz /text /string string id="st_upg_cevlar_body_armor_battle_descr" text Mehrschichtiger Kevlar-Kperschutz /text /string string id="st_upg_cevlars_armor_battle" text Kevlarplatten /text /string string id="st_upg_cevlars_armor_battle_descr" text F・ greren Schutz werden zus舩zlich Kevlarplatten in den Kperschutz integriert. /text /string string id="st_upg_composite_armor_battle" text Kompositplatten /text /string string id="st_upg_composite_armor_battle_descr" text Kompositplatten bieten maximalen Schutz gegen kleine Handfeuerwaffen. /text /string string id="st_upg_double_layer_body_armor_battle" text Doppelschichtiger Kperschutz /text /string string id="st_upg_double_layer_body_armor_battle_descr" text Selbst wenn eine Schicht besch臈igt ist, bietet die zweite Schicht immer noch guten Schutz. /text /string string id="st_upg_electro_stimulant_battle" text Elektrostimulanzien /text /string string id="st_upg_electro_stimulant_battle_descr" text Stimulanzien erzeugen Mikroimpulse, die physische Reaktionen hervorrufen. /text /string string id="st_upg_exsternal_filtering_sys_stalk" text Externes Filtersystem /text /string string id="st_upg_exsternal_filtering_sys_stalk_descr" text Wenn Filter von der Gasmaske getrennt werden, ist der Einsatz mehrerer Filter mlich. /text /string string id="st_upg_germetic_layer_stalk" text Luftdichte Isolation /text /string string id="st_upg_germetic_layer_stalk_descr" text Diese Spezialbeschichtung sch・zt Kleidung gegen Feuer oder Elektrizit舩. /text /string string id="st_upg_hard_barrel_curved" text Verbesserter Lauf /text /string string id="st_upg_hard_barrel_curved_descr" text Dieser strapazierf臧ige Stahllauf verformt sich nicht und sorgt dadurch f・ eine grere Beschleunigung der Kugel. /text /string string id="st_upg_hard_elements_battle" text Harte Bauteile /text /string string id="st_upg_hard_elements_battle_descr" text Dieser leichte Rahmen absorbiert einen Groﾟteil der Geschossenergie. /text /string string id="st_upg_health_sustaining_sys_battle" text Lebenserhaltungssystem /text /string string id="st_upg_health_sustaining_sys_battle_descr" text Dieser Apparat wird am Handgelenk getragen und injiziert bei einer Verwundung automatisch Anti-Schock-Medikamente und Stimulanzien. /text /string string id="st_upg_night_vision_battle" text Nachtsichtger舩 /text /string string id="st_upg_night_vision_battle_descr" text Nachtsichtger舩 der ersten Generation /text /string string id="st_upg_outfit_a_stalk" text Entlastungsweste /text /string string id="st_upg_outfit_a_stalk_descr" text Eine Entlastungsweste verteilt die getragene Last besser und erleichtert so das Tragen mitgef・rter Ausr・tung. /text /string string id="st_upg_outfit_b_stalk" text Entlastungsrucksack /text /string string id="st_upg_outfit_b_stalk_descr" text Durch spezielle Halterungen ist dieser Rucksack leichter zu tragen und steigert so das maximal tragbare Gewicht. /text /string string id="st_upg_plastic_components_battle" text Plastikkomponenten /text /string string id="st_upg_plastic_components_battle_descr" text Plastikkomponenten machen die getragene Kleidung widerstandsf臧iger. /text /string string id="st_upg_polymer_coating_stalk" text Polymerbehandlung /text /string string id="st_upg_polymer_coating_stalk_descr" text Die Beschichtung mit dieser Polymerlung sch・zt das Material besser vor Feuer und Elektrizit舩. /text /string string id="st_upg_polymer_pillow_battle" text Polymerverdicker /text /string string id="st_upg_polymer_pillow_battle_descr" text Dieser Verdicker absorbiert effektiv die Geschossenergie. /text /string string id="st_upg_polymer_suit_stalk" text Polymeranzug /text /string string id="st_upg_polymer_suit_stalk_descr" text Polymer bietet guten Schutz gegen Hitze und Elektrizit舩. /text /string string id="st_upg_powered_carcass_battle" text Verst舐kter Rahmen /text /string string id="st_upg_powered_carcass_battle_descr" text Zus舩zliche Rahmenteile erhen die St舐ke eines Exoskeletts. /text /string string id="st_upg_powered_servo_motor_battle" text Verst舐kende Servomotoren /text /string string id="st_upg_powered_servo_motor_battle_descr" text Durch eine grere Spannung steigt die Leistung der Servomotoren. /text /string string id="st_upg_psy_shielding_stalk" text Screening /text /string string id="st_upg_psy_shielding_stalk_descr" text Ein komplexes System aus Screening-Kabeln sorgt f・ begrenzten Schutz vor Psi-Effekten. /text /string string id="st_upg_recycle_breathing_sys_stalk" text Geschlossenes Atemmodul /text /string string id="st_upg_recycle_breathing_sys_stalk_descr" text Ein geschlossenes Kreislaufsystem reinigt kontaminierte Luft. /text /string string id="st_upg_relax_suit_stalk" text Entlastungsanzug /text /string string id="st_upg_relax_suit_stalk_descr" text Der elastische Stoff hilft dem Tr臠er dabei, dauerhafte kperliche Belastung besser zu ertragen. /text /string string id="st_upg_scope_1_6x_opt" text Eingebautes 1.6x-Zielfernrohr /text /string string id="st_upg_scope_1_6x_opt_descr" text Das 1.6x-Zielfernrohr schr舅kt den Sichtbereich des Sch・zen so wenig wie mlich ein und ist ideal f・ Angriffsoperationen geeignet. /text /string string id="st_upg_scope_4x_opt" text Eingebautes 4x-Zielfernrohr /text /string string id="st_upg_scope_4x_opt_descr" text Mit einem 4x-Zielfernrohr eignet sich jede Waffe f・ Scharfsch・zen. /text /string string id="st_upg_sintetic_pillow_battle" text Synthetischer Verdicker /text /string string id="st_upg_sintetic_pillow_battle_descr" text Dieser Verdicker unter getragenem Kperschutz reduziert effektiv erlittenen Schaden. /text /string string id="st_upg_slice_leather_battle" text Harter Ledereinsatz /text /string string id="st_upg_slice_leather_battle_descr" text D舂pft den Einschlag von Kugeln. /text /string string id="st_upg_spec_coating_stalk" text Spezialbeschichtung /text /string string id="st_upg_spec_coating_stalk_descr" text Diese Beschichtung basiert auf einer Speziallung, in der Materialien aus der Zone verarbeitet wurden. Sie sch・zt gegen Feuer und elektrische Anomalien. /text /string string id="st_upg_spectra_body_armor_battle" text Spectra-Kperschutz /text /string string id="st_upg_spectra_body_armor_battle_descr" text Dieser verst舐kte Milit舐-Kperschutz sch・zt besonders effektiv gegen Sturmgewehrfeuer. /text /string string id="st_upg_upgrade_night_vision_battle" text Nachtsichtger舩 der zweiten Generation /text /string string id="st_upg_upgrade_night_vision_battle_descr" text Dieses Nachtsichtger舩 der zweiten Generation bietet ein sch舐feres Bild mit weniger Interferenzen. /text /string string id="st_upgr_ammunition" text Munition /text /string string id="st_upgr_condlist" text Keine Daten f・ Verbesserung /text /string string id="st_upgr_cost" text Preis /text /string string id="st_upgr_disable" text Nicht mlich /text /string string id="st_upgr_enough_money" text Nicht genug Geld /text /string string id="st_upgr_group" text Diese Komponente wurde bereits verbessert /text /string string id="st_upgr_installed" text Installiert /text /string string id="st_upgr_parents" text Andere Verbesserungen notwendig /text /string string id="st_upgr_rpm_lowered" text Feuerrate gesenkt /text /string string id="st_upgrade_install" text Wirklich installieren /text /string /string_table
https://w.atwiki.jp/aesthetica/pages/96.html
Gerard de Lairesse, 1640-1711. (Gerard Lairesse) エラルート・デ・ライレッセ Dutch Golden Age painter and art theorist. His broad range of talent included music, poetry, and the theatre. オランダのプッサン（le Poussin hollandais）とも Le Grand Livre des peintres (Het Groot schilderboek) a d’abord été publié à Amsterdam en 1707, et fut rééditée en néerlandais en 1712 (2e impression), 1714, 1716, 1740 et 1836. L’œuvre fut traduite en allemand en 1728-1729 (rééd. 1776 et 1784-1819). Une traduction en anglais parut en 1738 (rééd. 1778 et 1817), et en français (Le Grand Livre des peintres) en 1787. Le Grand Livre des peintres, tr. fr. 1787, t. 1. http //books.google.co.jp/books?id=7JryAl8cql4C source=gbs_navlinks_s http //books.google.co.jp/books?id=Ha88AAAAcAAJ source=gbs_navlinks_s Le Grand Livre des peintres, tr. fr. 1787, t. 2. http //books.google.co.jp/books?id=OBo7AAAAcAAJ source=gbs_navlinks_s http //books.google.co.jp/books?id=OBo7AAAAcAAJ source=gbs_navlinks_s ***********************
https://w.atwiki.jp/chex/pages/317.html
Lecture on "Counter" chips Counter is the variable that you can input and calculate any number. After you input, you can perform a variety of decision by the chips of Assess Counter, and can utilize Counter-Type Reticle or Counter And Lock-On. In any event, if it is possible to use effectively, it will help you on various situations and strengthen your programs. Lecture on "Counter" chipsPeriodic launching Focused lock-on Dispersed lock-on Maneuver direction switching Others Periodic launching It is common that you want to execute specific actions at regular time intervals. For example, launch missile periodically to deplete opponent’s anti-missile weapons efficiently, spread mines extensively while moving around, sustain the effect of Jamming Fog as long as possible, etc. In such cases, Counters are needed. Generally, two counters are used to implement periodic launching. Specific way when you launch a missile in about every 5 seconds is shown below. Get elapsed time to counter-A (Decision) Is counter-A greater than or equal to counter-B?YES → launch missile → get elapsed time to counter-B → counter-B + 5 → next process NO → next process “Elapsed time of now” is assigned to counter-A. “Elapsed time when the missile is launched” is assigned to counter-B. Counter-B that 5 are added refers to “Elapsed time when launching is allowed again”, it means “5 seconds after the launch time” in this case. By comparing “Elapsed time of now” and “5 seconds after the launch time”, decide whether to launch. Include this routine somewhere in the program that would pass through all means, then you can now complete an OKE to launch missile in about every 5 seconds. Although this is a sample implementation of standalone, by send counter-B to the channel to share with friends, it is also possible to implement periodic launching in cooperation with friends. Focused lock-on It means to focus the lock-on of the all OKEs of the local team against any one OKE of the opponents. Focused lock-on has the effect of conducting the crossfire against one OKE and put it in disadvantageous condition. Then, if it is possible to shoot down one OKE early on, so able to produce numerical advantage, it becomes more advantageous to fight. Since it is necessary to use a channel in addition to counter to implement focused lock-on, it deviates slightly from the theme of lecture on “Counter” chips, but I want to lecture because this function is used very frequently. An example of specific way to implement is shown below. (Decision) Counter-A is 0? YES → 2. NO → 5. Lock on in the maximum range Substitute the identification number of the target to counter-A Send Counter-A to channel 1 →8. Receive channel 1 to Counter-A Counter and Lock-On by value of Counter-A (Decision) Target code is 0? (Target code 0 means not locked on) YES → 2. NO → 8. To main routine Because it is hard to understand just reading text, although this is the sample in case of previous work CHP, I will introduce the sample image. http //dovecoo.seesaa.net/article/22447506.html Basically, lock on the OKE of an ID number that received Counter-A from channel 1. When it is not possible, looks for the enemy by itself and sends the ID number to channel 1 once the lock-on success. Dispersed lock-on As opposed to the focused lock-on, this is a program that does not lock on the same opponent OKE. It is used when you want to assess all opponents quickly and do not want to be free the opponent OKEs. There are various ways to implement dispersed lock-on. The simplest way is shown below. Above, 5 chips. ID numbers from 1 to 6 are assigned to the OKEs in combat. HOME First (1), Second (2), Third (3) AWAY First (4), Second (5), Third (6) The first of HOME is given as an example. 1 is assigned to Counter-A 3 is added since less than 4 Lock on first of AWAY since 4 is assigned to Counter-A Since the Counter and Lock-On takes the value of each in the other OKEs in the same way, it is based on the idea that the target does not overlap. However, If there are not 6 OKEs together of allies and foes, for example, there is Hades etc. or OKE that was shot down, failure may occurs. Since this method performs lock-on based on the ID number, depending on the formation, there is a risk of adverse positioning. Maneuver direction switching If OKE continues to jump in one direction, (it is said that avoidance rate is higher than changing direction at random) eventually escape from battle area or hit the barricade. In that position, in addition to avoidable direction is limited, you may be relegated to the corner of the field along the barricade. So, it is possible to think that, if the boundary is near, it would be good if you Assess Battle Area. But if you just leave to do so, after it comes out of assessment range, it will jump to the wall side again. The technique called wall switch solves this problem. An example of the implementation of wall switch is shown above. Assess Battle Area after executing jump, if there is outside of the area in assessment range, substitute 1 or 0 to switch direction of the next jump. Although this program performs switching by Assess Battle Area only, if actually used, by switching the direction to jump while looking battle area of course, position of the friends, opponents, mines, etc., it can be used in various ways like spreading out, surrounding the opponents, or retreating from the minefield. In addition, (chips although increased) by increasing the criteria, it is also possible to have more than one meaning to a single number. Less than or greater than x Odd or even Whether or not evenly divisible by 3 etc... Others Continues below. Please continue.
https://w.atwiki.jp/mzrwqsox/pages/2.html
メニュー トップページ プラグイン紹介 メニュー メニュー2 Es gibt immer noch Menschen, die sich mit Kräften auseinandersetzen, die sehr alt sind und die von vielen Menschen über die Jahrhunderte hinweg mißverstanden wurden.[[WELL Transducer http //www.alokaprobe.com/WELL-Compatible-Ultrasound-Probe]]In der Gegenwart versucht eine Gruppe, die sich um die mysteriösen Ms. White und Mr. Gray scharren, diese alten Kräfte der Wicca immer noch dazu zu nutzen, um Menschen einen Wunsch zu erfüllen oder andere für ihre Fehlgriffe zu bestrafen. Dabei haben sie nicht immer Erfolg, da der Mensch, der mit diesen Kräften gesegnet wird, immer noch eine wichtige Entscheidung selber zu treffen hat. Und alles Glück, das er durch die Wicca erhalten kann, kann auch schnell wieder verloren werden. Die Entscheidung, ob man dem Horror des Alltäglichen entfliehen kann, liegt am Ende bei einem selbst. Auch die Wicca wurden über die Jahrhunderte zu tiefgreifenden Entscheidungen gezwungen. "Witching Hour" ist ein modernes Märchen, das die Vielzahl von Geschichten, die in ihm stecken, erst nach und nach erzählt. Dies führt zu Anfang zu einigen Irritationen, da man sich als Leser erst einmal auf keinen richtigen Handlungsstrang konzentrieren kann. Trotzdem findet sich auf jeder Seite so viele optische und Textinformationen, daß man sich einfach darauf einläßt, da schon so mancher schlaue Satz und so manche gekonnte Bilderfolge ersteinmal ausreicht, um einen weiter blättern zu lassen. Irgendwann wird man dann aber über das Leben einer Hexe informiert und es gelingt einem, die Erzählebenen zu sortieren und dann macht die Geschichte wirklich Spaß. Sicherlich könnte man die Geschichten, die hier auf 160 Seiten erzählt werden, auch schneller erzählen. Doch da Chris Bachalo ein Zeichner ist, der es schafft, visuelle Glanzpunkte auf jeder Seite zu verstecken und Jeph Loeb einfach ein geborener Erzähler ist, der wie kaum ein anderer dazu in der Lage ist, sich in seine Charaktere hineinzuversetzen, hätten wir nach der Lektüre kaum auf nur eine Seite verzichten wollen. Wer aber eine echte Horrorgeschichte sucht, könnte ein wenig enttäuscht werden, da es wie bei so vielen Sandman-Geschichten und auch anderen Reihen,[[Philips Transducer http //www.alokaprobe.com/Philips-ATL-HP-Compatible-Ultrasound-Probe]]die unter dem Vertigo-Label erschienen sind, auch in diesem Comic meist nur um unseren ganz persönlichen Horror geht. Doch finde ich persönlich es auch sehr viel interessanter, mit dieser düsteren und immer spürbaren Seite unserer Zivilisation konfrontiert zu werden, als mit irgendeinem Fantasywesen, das einfach nur böse ist, weil es halt nicht anders kann. ---- リンク @wiki @wikiご利用ガイド ここを編集
https://w.atwiki.jp/mainichi-matome/pages/5048.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Naughty schoolgirls serve up 'espressos' to go at 'encounter cafes'いけない女子生徒たちは「出会い喫茶」で、外出するために「エスプレッソ」を出す 参考資料 拡散状況 関連ページ Naughty schoolgirls serve up espressos to go at encounter cafes いけない女子生徒たちは「出会い喫茶」で、外出するために「エスプレッソ」を出す 元記事（削除済み)：http //mdn.mainichi.jp/culture/waiwai/news/20080515p2g00m0dm014000c.html 0 Naughty schoolgirls serve up espressos to go at encounter cafes 2008,05,15 AERA 5/19 By Ryann Connell いけない女子生徒たちは「出会い喫茶」で、外出するために「エスプレッソ」を出す AERA 5/19 ライアン・コネル記 1 "Encounter cafes," manga shops where men and women -- or more likely, girls, can meet and satisfy their mutual needs are rapidly increasing across Japan, according to AERA (5/19). 「出会い喫茶」――男性と女性、それどころか少女たちも出会ってお互いのニーズを満足させられる漫画の店――が、日本中で急速に増加している。AERA(5/19)より。 2 The women s weekly visits a Nagoya "deai kissa," literally an "encounter cafe," where a man was arrested last month for breaking the law banning child pornography for allegedly performing indecent acts on a 16-year-old. この女性週刊誌(AERA)は名古屋の「デアイキッサ」(文字通りの意味では出会い喫茶)を訪れる。そこでは、一人の男が、十六歳の児童にわいせつな行為を行ったとされることで、児童ポルノを禁止する法律に違反して先月逮捕された。 3 The reporter is there to see how the system works, discovering that membership for men costs a onetime fee of 5,000 yen and another 1,000 yen per visit, for which the entrant receives a membership card that can be in any name they like. 記者はどんなシステムになっているのかを調べるためにそこにいき、男性会費は、一回限りの料金が五千円で、来店のたびにさらに千円で、これにより新規会員は、どんな名前を書き入れてもいい会員カードを受け取る、ということを明らかにした。 4 The cafe has a passageway with a room on each side. この喫茶には通路があって、その両側に一つずつ部屋がある。 5 "This one is for 18s and over, and that one is for 16s to 18s," an employee tells AERA s reporter,pointing to the respective rooms and referring to the ages of their inhabitants. "Please take a look around." 「こちらの部屋が十八歳以上、あちらの部屋が十六歳以上十八歳未満です」と、従業員が、それぞれの部屋を示し、部屋の中の人たちの年齢に言及しながら、AERAの記者に語る。 「どうぞご覧になってください」 6 A two-way mirror encloses the room so those in the passageway can see what s happening inside while the occupants are unable to look out and learn who s peering at them. Inside the rooms are numerous young women occupied with such tasks as fiddling with their mobile phones or doing their faces. If the member sees a woman he likes, he lets a cafe employee know and a private room meeting is arranged. The weekly s hack picks a 16-year-old girl called Miyuki whose most notable feature is a face filled with piercings. マジックミラーが部屋を囲んでいるため、通路の中の者たちは、内部で何がおこっているのかを見ることができる。 一方、部屋の中の者たちは、外を見れず誰からじっと見られているのかわからない。 部屋の内部には、携帯電話をいじったり化粧をしたりといったことに励んでいる、非常に多くの若い女性がいる。 会員が好みの女性を見つけたときは、彼は喫茶の従業員に知らせ、個室での出会いが手配される。 この週刊誌の売文屋は、十六歳のミユキを選ぶ。ミユキのもっとも目立つ特徴は、ピアスでいっぱいの顔である。 7 Miyuki soon agrees to go out for a bite to eat. There s more payments to the cafe involved here, with a 1,000 yen charge for talking to one of the girls, another 3,000 yen for taking the girl outside the establishment and then a 5,000 yen charge handed over directly to Miyuki for "transport fees." The member also pays for whatever expenses are to be incurred. ミユキはすぐに、外食して軽い食事を取ることに同意する。 仲介した喫茶には、さらに金が支払われる。少女たちの一人と話すために料金千円、その少女と喫茶の店外で話すためにさらに三千円。そして「交通費」として、料金五千円がミユキに直接手渡される。また、会員は、支出となるどんな高値でも支払いをする。 8 Miyuki says she has a boyfriend, refuses to engage in prostitution and only leaves the cafe with guys she thinks can be trusted, usually the weaker-looking types. ミユキは自分にはボーイフレンドがいるといい、売春行為は拒否し、信用できる男――普通、弱そうに見えるタイプ――と一緒でなければ喫茶から外出しない。 9 "There s no way I d ever work as a nightclub hostess or in a soapland (brothel)," she tells AERA. "With this caper, I don t have to treat the guy like a customer and it s not really dangerous. There are some guys out there who ll even pay 10,000 yen just for the chance to have a chat to a young girl. There are loads of schoolgirls who go to the cafes." 「ナイトクラブのホステスとしてや、ソープランド(売春宿)で働くなんて、とんでもない」と、彼女はAERAに語る。 「この行為では、男を客扱いしなくていいし、そんなに危険じゃありません。若い少女とおしゃべりをする機会のためだけに、一万円も払う男たちがいるのです。カフェに来る女子学生はたくさんいます」 10 While Miyuki may not be prepared to sell her body, plenty who frequent the encounter cafes have few such qualms. Many say encounter cafes are serving to encourage illicit prostitution. But crimefighters say there s little in the Law Regulating Adult Entertainment Businesses that allows them to prosecute encounter cafes because they are on the surface acting only as places where the opposite sexes can meet. ミユキは体を売るつもりはないのかもしれないが、しょっちゅうこの出会い喫茶を訪れる者の多くは、そのような良心のタガをほとんどもっていない。 多くのものが、出会い喫茶は違法売春を行わせるため、という。 しかし、犯罪と戦う人たちは、出会い喫茶を起訴することを許可する「風俗営業等の規制及び業務の適正化等に関する法律」で対処できることは、ほとんどないという。なぜなら出会い喫茶は、表面的には異性と出会える場所としての役割を果たしているだけだからだ。 11 "If we can prove that the cafes are paying these women to go there, or that prostitution is occurring,we can get them under the Prostitution Prevention Law, but that s about it," a spokesman for the Metropolitan Police Department says. もし出会い喫茶が女性に来店するよう支払いをしたり、売春が行われたりしていることを立証できれば、売春禁止法のもとで連中を捕まえられるのですが、まあ、そんなところです」と、警視庁の広報者は言う。 12 Women who go to the encounter cafes are unified in their rapidity to deny being employed there. And the operators back them up. 出会い喫茶へいく女性たちは、口をそろえて即座に喫茶店に雇われていることを否定する。 そして経営者は、彼女たちの考えを支持する。 13 "We re nothing more than manga cafes that women can use for free," one owner says. 「私どもは、女性が無料で利用できる漫画喫茶にすぎません」と、あるオーナーは言う。 14 Experts on the netherworld say encounter cafes got their break from around 2004 as authorities began cleaning up adult entertainment districts like Tokyo s Kabukicho, which has made it more difficult for traditional sex businesses to operate as openly as they used to. There are now over 100 encounter cafes across Japan, including 10 in Kabukicho alone. 当局が東京歌舞伎町などの大人の歓楽街の一掃をはじめた――そのためそれまであったセックス産業が以前ほどおおっぴらに経営できなくなった――2004年のあたりからブレイクした、と裏社会の専門家は言う。 現在、日本には百件を超える出会い喫茶があり、歌舞伎町だけでも十件ある。 15 There are alarming trends evident in the cafes, too, according to adult entertainment expert Fumio Iwanaga. 成人娯楽の専門家・岩永文夫によると、出会い喫茶には歴然とした、憂慮すべき動向がある。 16 "It s a bit shocking to see just how many ordinary women are going to these places. They re most average women of a type you wouldn t normally associate with the adult entertainment business as it has existed until now," Iwanaga says. 「どれだけたくさんの普通の女性がああいった場所にいくということを知るだけでも、かなりのショックです。彼女たちはたいてい、これまで存在してきたような成人娯楽産業と結び付けて考えられはしないタイプの、普通の女性です」と、岩永は言う。 17 Encounter cafes appeal to women because there is no need for them to butter up men because they re paying customers, which is also the appeal for males because they can go to the establishments thinking they re chatting up ordinary women they have a chance with and not seasoned professionals. 出会い喫茶は女性に受けた。彼女たちは、客扱いをするために男たちに取り入らなくていい これはまた男性にも受けた。なぜなら彼らは、熟練したプロとではなく、運良く普通の女性とおしゃべりをしていると思いながら喫茶店に行けるからである。 18 Ryoko, a 23-year-old regular at Tokyo encounter cafes, sure has no problems with making use of them. 東京の出会い喫茶の常連である二十三歳のリョウコは、出会い喫茶を利用することを、問題と思っていない。 19 "Most of the girls coming here are sellers (prostitutes)," she tells AERA. "The going rate is about 30,000 yen a shot. It s pretty easy you go out for a while with some sleazy guy, get a bit of spare change and it s over." (By Ryann Connell) 「ここにくる少女の多くはウリ(売春)目的です」と、彼女はAERAに語る。 「相場は一発あたり約三万円です。とても簡単です。ろくでもない男と一緒にしばらくデートして、駄賃をもらって、それで終わりです」(ライアン・コネル記) 20 (Mainichi Japan) May 15, 2008 (毎日 日本) May 15, 2008 参考資料 岩永文夫 http //www.tsutaya.co.jp/artist/00419775.html 拡散状況 CRNジャパン(日本の子供の人権ネットワーク) http //www.crnjapan.com/abuse/aarticles/2008/en/20080515-encounter_cafes.html Japanese Style Noodles http //www.japanesestylenoodles.com/waiwai/archive20080515 SeekJapan http //www.seekjapan.jp/news/other/2008-05-16 WaiWai Archive http //www.mainichiwaiwai.com/waiwai/2008/05/ 英語サイト http //www.docudharma.com/diary/6713/ http //hot-gossip.info/node/175 http //referenceblog.canalblog.com/archives/2008/05/15/9208601.html 関連ページ CRNジャパン(日本の子供の人権ネットワーク) Japanese Style Noodles SeekJapan WaiWai Archive WaiWaiの記事を転載した英語サイト：D WaiWaiの記事を転載した英語サイト：H WaiWaiの記事を転載した英語サイト：R 優先的に翻訳すべき記事リスト 毎日新聞英語版から配信された記事2008年